![]() If your photo or video is a different aspect ratio than your project, you can select the Remove or show black bars icon to zoom in and remove the letterboxing effect. If you want to change the orientation of a photo or video, just select the Rotate icon. Select Motion to give photos more visual interest. Select Speed to speed up or slow down a video clip. Use Filters to change your video clip or photo to black & white or other visual treatments. Using the power of Windows 10, you can add 3D objects or special effects to your photos and video clips. Select Background music to choose from several tracks and sync your video to the beat or select Custom audio to add and time your own music tracks, narration, or sound effects. You can also time the text to appear exactly when you want within your film. Simply select Text, type a title or phrase, then select a style and layout. You can also create a Title Card from the Storyboard if you'd like to add text to a plain colored background. You can add Text to photos and video clips with ease. Select Duration to change the length of time a photo is displayed, or select multiple photos and then select Duration to change their duration all at once. Select a button like Trim or Split for editing (video clips only). Once you have organized your Storyboard, you can change the look and feel of each photo or video clip. You can even use Add from web to find content on Bing. ![]() Select the photos and videos you want to add to your Storyboard. Type video editor into the Search bar and select Video Editor to launch the app, or launch from the Start menu. ![]() To create a new video that you can edit from start to finish Windows 10 includes Video Editor, a full-featured set of video creation and editing tools that tell your story with music, text, motion, and 3D effects. Video Editor is the successor to Movie Maker on Windows 10, with a focus on easy-to-use creative tools that enable you to tell your story. ![]()
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![]() ![]() Take a listen below to the six songs David Gilmour thinks are Pink Floyd’s best.Welcome to “Behind The Cover” brought to you by Pure Music Manufacturing. This is not something I think of very much.” ![]() How long will that take? A hundred years, a thousand years, a million years? I have no idea. Then it will be forgotten like everything else will be forgotten. On his legacy, Gilmour reflected, “Oh! Legacy? What’s a legacy? I think our music will continue to be played for a while. ![]() It’s the kind of determination and wit that has seen Gilmour not only become an icon with his psychedelic rock band Pink Floyd but become a bastion of creative endeavour while doing so. I make it to please myself.” It’s the kind of artistic determination that has seen Gilmour and Pink Floyd retain their position as purists. But I do not make music for other people. And if they like the music that I make, I love that too. If people would like to come to my concerts I’d love them to come. After being asked whether or not he should be playing bigger venues to avoid upsetting people he frankly replied: “I can’t help other people’s frustrations. The rest of the interview, conducted to promote his solo tour at the time, offers up a candid view of Gilmour. Gilmour may not have described all of the songs as his personal favourites but he did eventually give the game away when he said: “‘High Hopes’ from The Division Bell is one of my favourite all-time Pink Floyd tracks,” tacking on a few more for good measure, “‘The Great Gig in the Sky,’ ‘Echoes,'” he eventually conceded defeat and admitted, “there’s lots of them.” And that’s quite something, let me tell you”. “Every night there’s this sort of ‘’ from about 15,000 people. And Roger’s down and he finishes his line, I start mine and the big back spots and everything go on and the audience, they’re all looking straight ahead and down, and suddenly there’s all this light up there and they all sort of-their heads all lift up and there’s this thing up there and the sound’s coming out and everything. “I’m in pitch darkness and no one knows I’m there yet. When picking out some of his favourite solos Gilmour shared his most spectacular moment with Pink Floyd, noting ‘Comfortably Numb’ as the pinnacle of his and the band’s live shows: “It was a fantastic moment, I can tell, to be standing up on there, and Roger’s just finished singing his thing, and I’m standing there, waiting,” remembers Gilmour. Picking two from the Wish You Were Here album, he selected, “‘Shine On You Crazy Diamond’ and ‘Wish You Were Here’ are standout tracks.” Selecting two of the band’s most prominent songs he completed quite possibly the triumvirate of Floyd’ numbers when picked arguably the band’s most famous song from The Wall, ‘Comfortably Numb’, a song which Gilmour holds special affection as it acts as his favourite live moment for Pink Floyd. Luckily enough, in 2006, Billboard spoke to Gilmour and amidst a heaving interview where pretty much every aspect of his career thus far was discussed, Gilmour did answer the question on everybody’s lips, what wer ehis favourite Pink Floyd songs? While the singer did pick some Floyd classics out as the best he also admitted that “there’s lots of them.” But that is what happens when you’re part of one of the most influential bands of all time. Especially considering his own prominent solo career, it must become tiresome when consistently answering fan-centric questions about Floyd. The singer’s relationship with the tempestuous band, which saw him struggle with creative tensions and in-fighting with the other pillar of the band Roger Waters, has often left a slightly bitter taste in his mouth. ![]() Below we’ve pulled together a playlist of those songs, perfect for any Pink Floyd purist.ĭavid Gilmour’s favourite Pink Floyd songs may be a little hard to gauge. They are a collection of songs that he would say he stood the test of time. It appears the singer and guitarist, who joined the band near the very beginning of their wide-reaching 55-year journey, replacing Syd Barrett, did once pick six songs which he likes the most amid a huge catalogue. ![]() ![]() ![]() As would be expected in any publication of such magnitude, the presentation, though effective, does little to soften the subject. Truly a bible for Illustrator CS4, the book doesn’t leave out much (if anything). While his approach is much drier here than in his For Dummies book, his personality shines throughout the publication. In its 700 pages (not including its excellent table of contents and index), author Ted Alspach addresses the needs of all levels of users from beginner to advanced. Adobe Illustrator CS4 BibleĪdobe Illustrator CS4 Bible is the most extensive of all the books. It will likely be one of the first books you’ll pull off your shelf for quick instructions. Though I often grudgingly purchase a For Dummies book (after all, I’m no dummy!), there is no denying that Illustrator CS4 for Dummies lives up to the high standards of the For Dummies line and does make learning new or expanding skills easier. Alspach makes up for this deficit with the two “Part of Tens” chapters (where he provides 10 tips to enhance production and 10 ways to customize Illustrator) and a bonus chapter discussing other effects that is available for download from the publisher’s Web site. I find the pullout quick reference guide in the front to be a little lacking for such complex software. For the reader new to print and online production, the insights shared in these five pages alone will undoubtedly recoup the book’s cost in saved production issues during publishing. And while all the books reviewed contain this information, this book is the most in-depth and provides an excellent foundation of how linked and embedded images function. For example, Alspach not only defines embedded images and linked images, but goes on to explain when you would use each as well as what you should look for when using them. Illustrator CS4 for Dummies presents a discussion about sophisticated software in laypersons’ terms and provides information that a beginner might not know and that other manuals gloss over with the assumption their reader has a bit of experience in graphic design. The book’s full-color layout, relatively new for this series, as well as the high-quality graphics further enhance the book’s usability. Tips, beneficial to newbies and advanced users alike, are scattered effectively throughout the book and are clearly marked. To make the overwhelming possibilities of Illustrator clear, Alspach presents concepts starting from the very basics-opening/creating a document-to working with paths, 3D effects, type, imported graphics, and ultimately production for both print and the Web. Alspach, a graphics guru and prolific author who has written more than 30 books related to graphics, design, and desktop publishing, presents the material in a lighthearted manner that makes this book accessible to even the newest user. Aimed at beginners, this For Dummies title will get you up and running with Illustrator CS4 almost immediately. Whether you are a dummy or not, Illustrator CS4 for Dummies, by Ted Alspach, is a good addition to your reference library. ![]() Included in this review are five books by talented graphic designers that will encourage new users to move beyond the fear of a blank document to embrace the exciting capabilities of the industry’s standard graphics software while allowing advanced users the opportunity to expand their skill base. ![]() Adobe Illustrator is often considered one of the most intimidating of the programs in the Creative Suite package because of the plethora of tools, commands, and panels that open up incredible possibilities for the designer. ![]() ![]()
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The paid version of Kontakt 6 comes with about 40 GB of content that does NOT offer orchestral sounds as good as the ones mentioned above, and for me it doesn't worth it if you are mainly interested for orchestral cinematic sounds. Vienna Symphonic Library, EastWest Symphonic and Hollywood Orchestra, Steinberg Iconica, all of Cinesamples Orchestral Libraries, Chris Hein Libraries, Orchestral Tools Libraries, Spitfire's BBCSO, Studio series, Symphonic series and Albion series, Projectsam's Symphobia series, the newer Nucleus Core from Audio Imperia, just to name some of the best examples, play in the free Kontakt Player or even in their own Samplers / Players (included for free with their libraries). The samples should get loaded in automatically and do all the correct key switching for the articulations too.Some of the best orchestral libraries, actually most of them, do NOT require the paid version of Full Kontakt. Chose Save, then Close and play back your score. Now, check in the Manual sound sets tab that you don't have 'Use Manual Sound Sets' ticked. Create a new Playback Configuration with two or so instances of Kontakt 3 (remember each Kontakt 3 will hold 16 sounds each so activate more for larger scores). Once in Sibelius go to Play, Playback Devices. Native Instruments fixed a crash with this update so you are advised to install the latest version Step 4: downloaded the kontakt factory library (23 gb) from torrentz.and. the studiolinkedvsts in my kontakt 5 that I purchased with activation. Any libraries made for Kontakt Player show up or can be added to the. Ana Vasquez on Native Instruments Kontakt 5 Full Factory Library Activator Free 20 armvarn. If you change this, be sure to restart Sibelius before it takes affectĮnsure you are using the latest version of Kontakt 3.5, which you can download from here: Download kontakt factory library for free. Make sure it is not the Instruments folder. Open the Kontakt 3 interface, click on the Settings cog and in the Load/Import tab make sure the Library Path is set to the. You have installed the whole library from the Kontakt 3 DVDs.The library is in an Instruments folder (as above).This will allow the loading to be able to find the samples so if you still get 'File not found' then check: \Kontakt 3 Library\Instruments\Urban Beats Since this is supposed to be a demo version of their premium Kontakt instruments, this orchestral library has a limited set of articulations and a single. \Kontakt 3 Library\Instruments\Orchestral To get the sounds to load in Sibelius, you need to move the Kontakt 3 library that you have installed so it's in an Instruments folder: NOTE: if you're using Sibelius 5, substitute the 6 for a 5 in the folder paths above Step 2: Those that run in the free Kontakt Player and those that will only work with the full (paid) version of Kontakt. Kontakt sample libraries come in two flavours. Mac OS X: /Users/your username/Library/Application Support/Sibelius Software/Sibelius 6/Sounds 5 How to open sample libraries in Kontakt.Windows 7 or Vista: C:\Users\your username\AppData\Roaming\Sibelius Software\Sibelius 6\Sounds.Windows XP: C:\Documents and Settings\your username\Application Data\Sibelius Software\Sibelius 6\Sounds.It's possible to have these sounds loading automatically and playing back in Sibelius 5 and 6, just like the Sibelius Sounds libraries do:ĭownload this Kontakt_3_Library.zip file and extract the Kontakt 3 Library.xml file to the following folders: Kontakt 3 from Native Instruments includes a 33 GB library of sounds from Orchestral, World, Vintage, Band, Synth to Urban Beats. How to use the Kontakt 3 factory library in Sibelius ![]() ![]() ![]() Another major player is PhonePe, owned by Flipkart in which US retail giant Walmart owns a majority stake.īut Paytm has made continual losses and is not sure when it will make a profit. Mumbai-based financial analysis firm Motilal Oswal estimates mobile digital payments will cross $3.1 trillion in value by 2026.įoreign giants have also sought to grab a piece of the pie including Google and Amazon. The number of mobile payments in India has skyrocketed, accounting for 26 billion transactions in the 2020-21 financial year. In 2020-21 it undertook transactions worth more than $54 billion. The platform had 337 million customers at the end of June, according to the company's regulatory filing. Thakur is one of nearly 22 million Indian shop owners, taxi and rickshaw drivers and other vendors who accept payments as low as 10 rupees ($0.13) using Paytm's ubiquitous blue-and-white QR code stickers. "It's much easier than a bank transfer because they only need my mobile number to pay and I get the settlement within seven hours," she said. Thakur said about a third of her customers pay her for milk, bread and other daily groceries via Paytm. "I didn't know corona would happen but Paytm was very useful to me during the pandemic," Mumbai grocery shop owner Naina Thakur told AFP. It has benefited from the government's efforts to curb the use of cash-including the demonetisation of nearly all banknotes in circulation five years ago-and most recently, from Covid. The platform was launched in 2010 and quickly became synonymous with digital payments in a country traditionally dominated by cash transactions. The IPO is expected to make Paytm India's most valuable tech company with a valuation of $20 billion, up 25 percent from two years ago. Paytm was issuing fresh shares worth 83 billion rupees ($1.1 billion), with existing shareholders selling stocks worth $1.34 billion, according to the prospectus. He was ranked India's youngest dollar billionaire four years ago at the age of 38 and now has a net worth of $2.4 billion, according to Forbes. The firm was founded barely a decade ago by Vijay Shekhar Sharma, the son of a schoolteacher who says he learned English by listening to rock music. Paytm is backed by Chinese tycoon Jack Ma's Ant Group, Japan's SoftBank and Warren Buffett's Berkshire Hathaway, which together own around a third of the company. ![]() ![]() ![]() Now that it’s out, you can put the SIM card into another phone to import whatever is stored on it, keep it for sentimental purposes, or just notify the carrier to disable it, then throw it away. You can replace the SIM card with another and push bac. Once you push it, the SIM tray (and the SIM Card) pops out. You use this tool to push into the hole of the SIM tray (as pictured below) at the side of the iPhone.
![]() SMIT-MCPHEE: I used to when I was younger. He studied science, psychedelics, and he questioned the use of psychedelics and their effect on humans–sometimes healing depression, sometimes answering the mysteries of life itself. He was so successful in the Western world, materialistically and financially, but he kept questioning his life. It has beautiful little illustrations expressing the life of Ram Dass. SMIT-MCPHEE: There’s a book called Be Here Now by Ram Dass. MACIAS: What’s a book you’ve read lately that guides you through that spirituality? I have a huge passion for educating myself about myself in relation to the universe. I have a huge love for spirituality and philosophy and mythology. I find that a lot of things I express naturally in Nightcrawler is because I’m a lot like him-aside from the fact that he’s a blue mutant with superpowers. There’s the story where he’s kept in the circus, and he’s going through a lot of suffering and frustration and confusion, but he finds God through that. He has the whole spiritual side to him, which I love. But when it comes to being on a mission, he can be very savage and animalistic. He has a timidity, a vulnerability, and a grounded nature. I went through every popular creation of Nightcrawler and studied the character within every genre. But this being a comic with such a cult following already, specifically for this character, there was so much material I could dive into. ![]() The motivation was different than where I start with other films, which is usually from scratch. SMIT-MCPHEE: There was the difference with creating the past, present, and future–the whole life of this character. MACIAS: He’s a very mysterious character. I’ve always wanted to push the boundaries of what I can express as an actor and to push the boundary into something that’s not human. SMIT-MCPHEE: No, luckily we got it down to a science of an hour and a half. MACIAS: Is that how long it takes every time you have to get in character? MACIAS: What was it like when you first saw yourself as Nightcrawler? But then I realized when I started studying comics, Nightcrawler specifically, that everything in fantasy is somewhat based in reality-they just use the symbols of fantasy to express very real subjects. I had trouble in school, and when I left I discovered I was more passionate about things like philosophy, religion, spirituality, and history. At that time, I was reading more factual things. I was into comic books, but I wasn’t into superheroes. SMIT-MCPHEE: I came across it about 4 years ago. MACIAS: When did you come across the X-Men franchise? Were you a fan? As the Dark Phoenix rises, Interview caught up with the actor to discuss his affinity for obnoxious sports cars, his daily meditation ritual, and the art of becoming, in full form, the multifaceted-and blue-mutant. Since winning the Australian Film Institute’s Young Actor Award for his first-ever feature, Romulus, My Father, in 2007, Smit-McPhee has starred opposite Viggo Mortensen in The Road and alongside Michael Fassbender, Ben Mendelsohn, and his own father, Andy McPhee, in Slow West. There’s the story where he’s kept in the circus, and he’s going through a lot of suffering and frustration and confusion, but he finds God through that.” But before finding himself behind the thick mutant makeup, the long-limbed 22-year-old was already racking up film credits alongside cinematic titans. “ He has the whole spiritual side to him, which I love. “I realized when I started studying comics, that everything in fantasy in somewhat based in reality,” he says ahead of the release of X-Men: Dark Phoenix, in which he is reprising the role. The Australian actor, known to fans of the X-Men franchise as Nightcrawler-that mysterious, teleporting blue mutant-easily transforms by finding the reality in fantasy, and by meditating. Rare is it to find a young actor who aligns so perfectly with the role he’s been cast to play, though such is the case with Kodi Smit-McPhee. ![]() Jacket, Tank, Pants, Necklace and Belt by Dior Men. ![]() ![]() ![]() ![]() More Teacher Notes and ideas for use of Fusion 360 will be added in due course, particular to help with the new UK Design & Technology school curriculum/coursework. For those who have previously used the 123D Design tutorials, you will see that a number of the Fusion tutorials are for the same products, to help you compare the 123D method to the Fusion method. WMG Outreach now has a range of beginner tutorials for Fusion 360 at warwick.ac.uk/fusion360tutorials and more tutorials will be added over time. For younger pupils, Autodesk Tinkercad is ideal and is available free to use in a web browser (Chrome or Edge work best). However, Autodesk Fusion 360, a much more powerful professional CAD package, can be downloaded free of charge by students, educators and start-ups/enthusiasts. Our 123D tutorials are still online here for those who already have the software. In April 2017, Autodesk withdrew 123D Design. These tutorials have been freely available on this website and have been extremely popular. A range of tutorials was developed for this purpose, using an approach of learning CAD by actually designing and 3D printing a range of products of increasing complexity to gradually build skills in an engaging context. The project work has continued as part of the University's STEM outreach programme with many CAD and 3D printing workshops for school pupils taking place each year both at the university and in schools.ĭuring the project the school pupils learned to use a free download CAD software called Autodesk 123D Design. ![]() This project built on the work of the University of Warwick project Engaging Young People with Assistive Technologies, which worked with young people with disability to explore how CAD and 3D printing could help them. During 20, WMG and the School of Engineering ran a project which aimed to share the University’s expertise in Computer Aided Design (CAD) and 3D Printing with local young people aged 11-14 to help them and their teachers, learn about design software and how to use it effectively for 3D Printing. ![]() |
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